|Naka Akira Sensei's |
signature eye contact
I arrived in the middle of the first of his ties.
The incredibly neat rope was tied very tightly around her chest and tummy, and another rope was running from the hair to her toes, passing through her pussy creating an interesting effect as she could pull on it on her own with her toes to create more pressure, creating pleasure on one spot at the cost of some discomfort on another. Her whimpers and cries, a mixture of pleasure moans and chocking sounds, quickly filled the small place.
The intensity of the scene still lingering in the air, the second tie started. This time the model was nonetheless than the famous Akane-chan, a young new rope model that is quickly gathering a lot of fans (originally discovered by Yukimura Haruki Sensei, is now quickly become a favorite of many nawashi and rope lovers ).
This time I could see the tie starting from the beginning and I noticed that Naka-sensei was not putting the model's arm in the takatekote in the most common way of inside facing each other and hands grabbing the wrists, but with the arm on top of each other, side by side. For this tie Naka-sensei decided to use 4mm and 3mm.
After securing the takatekote he moved to bind her legs, starting from her feet and moving up, creating a tight bind. He then pulled her up by her feet making her look like a beautiful mermaid trapped in a fisherman's net and hang for all to see, vulnerable and struggling in her restrains.
Through out the tie, Naka-sensei would stop and look at her in her eyes, with an intensity that made her shake each and every time (orgasming? probably :p)
The tie ended with Akane-chan shaking at each and every rope pulled over her body, like a chord instrument under the fingers of a virtuoso. An truly intense ending for a truly intensely beautiful tie.
And then, thanks to Yoi-mama's kind intercession, I got the incredible fortune to be tied by Naka Sensei!
He told me right away that his rope was going to be tight and asked if it was ok.
In spite of feeling totally shy and humbled (and giddy) I managed to answer coherently and off owe started.
When I put my arms behind my back in the usual way, he immediately corrected me to have my arms put side by side. His rope around my wrists was very tight and yet it did not hurt nor feel too uncomfortable.
The wraps around my chest and arms too were very tight as he had promised they would be, and the incredibly tight embrace quickly got into me as if the bind passed trough from my outside body down to my inside soul.
Checking periodically with me if the rope was ok, he pulled me up standing and after securing a waist line and attaching both that and the chest rope to the suspension beam I ended up on my toes. He then bind my legs starting above my knees and moving up around my hips connecting with the waist rope.
Hip and legs rope in place, he attached the knee rope to the suspension point and pulled me up, putting me in a twisted sort of position: bottom half facing up, upper half facing sideways.
And from there, with a swift and powerful movement, he loosened the upper body suspending columns and I found myself dangling upside down, rope tightly gripping my hips and chest.
My mind blank, I just let myself sink deeply in the exquisite tight and painfully pleasurable embrace of Naka Sensei's rope.